The logic of crime fiction genre in modern person’s consciousness
AbstractThe author provides philosophical anthropological analysis of the logic of the crime fiction genre in the modern person’s consciousness. It was shown that detective texts convey hyper-orderliness, which compensates for the lack of systematization in real life, directly influences the recipient, setting the limits of personal freedom, and indirectly structures social order. The research assumes that classical crime fiction is related to the positivist philosophy, rationalism and scientific thinking, whereas the formula of the late Modern crime fiction stories is gradually getting more sophisticated, which reflects the evolution of the philosophical thinking on the whole. The special feature of the crime fiction genre logic is in the fact that available in crime fiction texts typical formal logical elements of a hypothesis, versions, evidence and contradiction are combined by the addressers with creative inspiration, intuition, true life, which are not the characteristics of pure science. The logic in the texts of the crime fiction genre helps a modern person to virtually build a system of universal philosophical and cultural values, applied by the society as its basis for social norms, rules and laws of any modern state. In addition, the specific logic of investigation encourages person’s everyday activities, since cultural reading enables a person not only to perceive but also to transfer and use the laws of logic, inherent in the crime fiction genre, in their professional activities, including research work.
Aronson O. Kommunikativny obraz (Kino. Literatura. Filosofia.) (Communicative image (Cinema. Literature. Philosophy). Moscow: Novoye literaturnoye obozreniye, 2007. 384 p., ill.
Berkovsky N.Ya. Mir, sozdanny literaturoy (The world, created by literature). Moscow, 1989. p. 116-118
Bugorskaya N.V. Nauchny «podtekst» v literaturnom tekste: filosofia nauki i zhanra detektiva (Scientific «implication» in a fictional text: philosophy of science and crime fiction genre). Filologia i chelovek. Barnaul: Publisher of Altai State University, 2013. №3, pp. 98-10
Volsky N.N. Lyogkoye chteniye. Raboty po teorii i istorii detektivnogo zhanra (Easy reading. Research into the theory and history of detective genre). Novosibirsk: NGPU, 2006. 278p.
Genis Aleksandr Яфлщт Zakon i poryadok. Moy Sherlock Holmes (Law and Order. My Sherlock Holmes). Znamia, 1999. №12. Regime to access: magazines.russ.ru/znamia/1999/12/genis.html
Intervyu c avtorom detektivov Tatyanoy Garmash-Roffe (The interview with the author of detective stories Tatyana Garmash-Roffe). Regime to access: http://www.mycharm.ru/articles/text/?id=3280
Lepeshko B.М. Formalnaya logika i detektivny zhanr: yedinstvo evristicheskoy dostovernosti (Formal logic and crime fiction genre: the unity of heuristic reliability). Vestnik BrGU, 2003. № 31. pp. 3-12
Eco U. Shest progulok v literaturnyh lesah (Six Walks in the Fictional Woods). Saint-Petersburg.: Symposium, 2014. 285 p.
Knight, Stephen Form and Ideology in Crime Fiction, Basingstoke, Macmillan, 1980. 202 р.
Scaggs, John Crime Fiction. London – New York, Routledge, 2005. 170 p.