Hybridization of crime fiction genre forms as a representation of contemporary cultural process
AbstractThe research is devoted to the consideration of hybridization of crime fiction forms in the contemporary cultural process. The work showed that, from the point of view of the culture development, sophistication of the classical crime fiction formula, hybridization of detective fiction with other fiction genres is a natural process of the strive to vary і diversify, combine genres, styles and means of text presentation (from a hard copy or audio book to video and computer games), which is related to the crisis of the Modernity project epoch, where fiction genres were quite selfsufficient, and the transition to the postmodern (or updated Modern), where the human consciousness is dominated by the processes of simultaneous specialization and combination of various industries, in other words, divergence and convergence. It may be claimed that a detective text as one of the most popular genres in the contemporary information culture, in particular, because it reveals secrets, clarifies vague things and assists in discovering the truth, transforms so that there is a process of detectivization of different text products of the cultural industry. At the same time the very detective formula as a component of various genres becomes a tool for playing and influencing the consciousness of a contemporary person.
Boris Akunin: Bolshe vsego lyublyu igrat (Boris Akunin: What I like best is to play games) [Electronic resource]. Regime to access: http://viperson.ru/wind.php?ID=387635
Markelova М. Boris Akunin: «Lyublyu pisat avantyurnyye romany I igrat v kompyuternye igry» («I love writing adventure novels and playing computer games» [Electronic resource]. Regime to access: http://www.aif.ru/culture/person/6964
Volsky N.N. Lyogkoye chteniye. Raboty po teorii I istorii detektivnogo zhanra (Easy reading. Research into the theory and history of detective genre). Novosibirsk: NGPU, 2006. 278p.
GarmashRoffe Т.V. Detective v ierarkhii literaturnykh zhanrov (Detective in the hierarchy of literary genres / Kulttovary: Phenomen massovoy literatury v sovremennoy Rossii: Sbornik nauchnykh statey. SaintPetersburg. SPGUTD, 2009. pp. 317323.
Petukhov V.B. Phenomen terrorizma v informatsionnom prostranstve kultury (The phenomenon of terrorism in the cultural information domain). Author’s abstract for the Doctor of Sciences in Culturology : 24.00.01. Moscow, 2009. 49p.
Popovych М. Modern i postmodern: philosophia i polityka (Modernity and postmodernity: philosophy and politics) / journal Dukh i litera. №910. Kyiv: Dukh i litera, 2002. pp. 326338
Rudnev V.P. Slovar kultury XX veka. Klyucheviye ponyatiya i teksty (The Glossary of XX Century Culture. Key concepts and texts). Moscow, Agraf, 1997. 384 p.
Spiridonov D.V. Retseptivniye strategii detektivnogo povestvovaniya: tipologichesky aspect (Receptive strategies of detective narrative: typology aspect / Vestnik Chelyabinskogo gosudarstvennogo universiteta. 2012. № 20. PP. 118124.
David Hesmondhalgh Kulturniye industrii (The Cultural Industries) Moscow, Publishing House of National Research University Higher School of Economics, 2014. 456p.
Johan Huizinga Chelovek igrayushchy (Homo ludens). Moscow, Azbukaclassica, 2007. 384 p.