The role of the subjective in the transcendence in aesthetics


  • M. G. Murashkin Prydniprovs’ka state academy of civil engineering and architecture
Keywords: aesthetics, aesthetic, transcendency, transcendental, trance, creativity, creation, flash of inspiration, inspiration, mystery

Abstract

The author analyses the problem of connection of different categories of several fields of knowledge in particular transcendency and aesthetics. The aim of the article is to show the connection of philosophical categories through the concrete  which take place in reality, in this case in the reality of human mental processes. The problem of communication categories of different fields of knowledge. In particular, the aesthetics, and transcendence. The article aims to show the relationship of philosophical categories through the specifics of processes that occur in reality. In this case, the reality of mental processes of man. Philosophical categories such as aesthetics, aesthetic transcendence are qualified in specific mental state, as an everyday state of consciousness and altered states of consciousness. It is conditions such trance, inspiration, insight, intuitive insight. Formulation of the problem boils down to show the relationship of philosophical categories process of being realities through processes, in particular through the processes of mental life. Analysis of recent research and publications showed the emerging relationship of such mental processes as creativity and trans in the works B.M. Teplova the heat. Singling out the outstanding part of the overall problem before it becomes necessary to relate mental processes actually existing philosophical categories such as aesthetics and transcendence. The purpose of the article and the statement of the problems come down to tie the mental processes actually exist in humans with the philosophical categories of different areas of knowledge, in particular to link aesthetics and transcendence. Upon a closer view to mysticism we discovered. It is a symbol of death. But the point is that such death has a symbolic character and means the destruction of the mind structures which are outdated. Nowadays, a certain type of the human civilization exists. Destructive activity of individuals is being bom. Man competes not only with his like, he competes with all that is around, competes even with himself. For this harmonizing platform is required;the platform which is directed to the harmonic (careful) attitude of the nature, harmonizing Man’s state of mind.

Author Biography

M. G. Murashkin, Prydniprovs’ka state academy of civil engineering and architecture
doctor of philosophical sciences, Full Prof.

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Published
2016-03-04
How to Cite
Murashkin, M. (2016). The role of the subjective in the transcendence in aesthetics. Grani, 19(4), 6-11. https://doi.org/10.15421/1716070
Section
PHILOSOPHY